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“I don’t do drugs. I am drugs” ~ Salvador Dalí.
The photo, which dates from 1969, depicts the 65-year-old Catalan surrealist Salvador Dalí emerging from a Paris subway station led by his trusty giant anteater. Surrealism‘s aim was to “resolve the previously contradictory conditions of dream and reality.” Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects and developed painting techniques that allowed the unconscious to express itself. [from Wikipedia, link above].
Photo – Oscar Niemeyer (1907-2012) photographed by Ludovic Lent for L’Express, France.
“First were the thick stone walls, the arches, then the domes and vaults – of the architect, searching out for wider spaces. Now it is concrete-reinforced that gives our imagination flight with its soaring spans and uncommon cantilevers. Concrete, to which architecture is integrated, through which it is able to discard the foregone conclusions of rationalism, with its monotony and repetitious solutions. A concern for beauty, a zest for fantasy, and an ever-present element of surprise bear witness that today’s architecture is not a minor craft bound to straight-edge rules, but an architecture imbued with technology: light, creative and unfettered, seeking out its architectural scene.” ~ Oscar Niemeyer, acceptance speech, Pritzker Architecture Prize (1988).
“What bothers us about primordial beauty is that it is no longer characteristic. Unspoiled places sadden us because they are, in an important sense, no longer true.” – Robert Adams.
Living and working mostly in Colorado for nearly 30 years, Robert Adams was mostly concerned about a palimpsest of alterations, unfolding in front of his camera in plain western America. Even if unperceivable for so many, the landscape in turmoil was his medium. And it was there, he found out what beauty is not. In 1975, New Topographics encapsulated an evolving Man-altered landscape in an exhibition that end-up by signalling a pivotal key moment in American landscape photography. His sensibility and aesthetic approach remains pertinent today among us. One needs to only replace random and lost inanimate landscapes with random lonely people.
How wings are attached to the backs of Angels, Craig Welsh (1996) – Production by the National Film Board of Canada (nfb.ca): In this surreal exposition, we meet a man, obsessed with control. His intricate gadgets manipulate yet insulate, as his science dissects and reduces. How exactly are wings attached to the back of angels? In this invented world drained of emotion, where everything goes through the motions, he is brushed by indefinite longings. Whether he can transcend his obsessions and fears is the heart of the matter (from Vimeo).
Photo – Rover’s Self Portrait (link): this Picasso-like self portrait of NASA’s Curiosity rover was taken by its Navigation cameras, located on the now-upright mast. The camera snapped pictures 360-degrees around the rover, while pointing down at the rover deck, up and straight ahead. Those images are shown here in a polar projection. Most of the tiles are thumbnails, or small copies of the full-resolution images that have not been sent back to Earth yet. Two of the tiles are full-resolution. Image credit: NASA/JPL-Caltech (August, 9, 2012). [6000 x 4500 full size link].
video – tshirtOS is the world’s first wearable, shareable, programmable t-shirt. A working, digital t-shirt that can be programmed by an iOS app to do whatever you can think of (by CuteCircuit, link).
“It takes you 500,000 microseconds just to click a mouse. But if you’re a Wall Street algorithm and you’re five microseconds behind, you’re a loser.” ~ Kevin Slavin.
TED video lecture – Kevin Slavin (link) argues that we’re living in a world designed for – and increasingly controlled by – algorithms. In this riveting talk from TEDGlobal, he shows how these complex computer programs determine: espionage tactics, stock prices, movie scripts, and architecture. And he warns that we are writing code we can’t understand, with implications we can’t control. Kevin Slavin navigates in the “algoworld“, the expanding space in our lives that’s determined and run by algorithms (link at TED).
Figure (clik to enlarge) – Applying P(0)=0.6; r=4; N=100000; for(n=0;n<=N;n++) { P(n+1)=r*P(n)*(1-P(n)); } Robert May Population Dynamics equation [1974-76] (do check on Logistic maps) for several iterations (generations). After 780 iterations, P is attracted to 1 (max. population), and then suddenly, for the next generations the very same population is almost extinguish.
“Not only in research, but also in the everyday world of politics and economics, we would all be better off if more people realised that simple non-linear systems do not necessarily possess simple dynamical properties.” ~ Robert M. May, “Simple Mathematical models with very complicated Dynamics”, Nature, Vol. 261, p.459, June 10, 1976.
(…) The fact that the simple and deterministic equation (1) can possess dynamical trajectories which look like some sort of random noise has disturbing practical implications. It means, for example, that apparently erratic fluctuations in the census data for an animal population need not necessarily betoken either the vagaries of an unpredictable environment or sampling errors: they may simply derive from a rigidly deterministic population growth relationship such as equation (1). This point is discussed more fully and carefully elsewhere [1]. Alternatively, it may be observed that in the chaotic regime arbitrarily close initial conditions can lead to trajectories which, after a sufficiently long time, diverge widely. This means that, even if we have a simple model in which all the parameters are determined exactly, long term prediction is nevertheless impossible. In a meteorological context, Lorenz [15] has called this general phenomenon the “butterfly effect“: even if the atmosphere could be described by a deterministic model in which all parameters were known, the fluttering of a butterfly’s wings could alter the initial conditions, and thus (in the chaotic regime) alter the long term prediction. Fluid turbulence provides a classic example where, as a parameter (the Reynolds number) is tuned in a set of deterministic equations (the Navier-Stokes equations), the motion can undergo an abrupt transition from some stable configuration (for example, laminar flow) into an apparently stochastic, chaotic regime. Various models, based on the Navier-Stokes differential equations, have been proposed as mathematical metaphors for this process [15,40,41] . In a recent review of the theory of turbulence, Martin [42] has observed that the one-dimensional difference equation (1) may be useful in this context. Compared with the earlier models [15,40,41] it has the disadvantage of being even more abstractly metaphorical, and the advantage of having a spectrum of dynamical behaviour which is more richly complicated yet more amenable to analytical investigation. A more down-to-earth application is possible in the use of equation (1) to fit data [1,2,3,38,39,43] on biological populations with discrete, non-overlapping generations, as is the case for many temperate zone arthropods. (…) in pp. 13-14, Robert M. May, “Simple Mathematical models with very complicated Dynamics“, Nature, Vol. 261, p.459, June 10, 1976 [PDF link].
Video Documentary – Code Rush (www.clickmovement.org/coderush), produced in 2000 and broadcast on PBS, is an inside look at living and working in Silicon Valley at the height of the dot-com era. The film follows a group of Netscape engineers as they pursue at that time a revolutionary venture to save their company – giving away the software recipe for Netscape’s browser in exchange for integrating improvements created by outside software developers.
” (…) code (…) Why is it important for the world? Because it’s the blood of the organism that is our culture, now. It’s what makes everything go.“, Jamie Zawinski, Code Rush, 2000.
The year is early 1998, at the height of dot-com era, and a small team of Netscape code writers frantically works to reconstruct the company’s Internet browser. In doing so they will rewrite the rules of software development by giving away the recipe for its browser in exchange for integrating improvements created by outside unpaid developers. The fate of the entire company may well rest on their shoulders. Broadcast on PBS, the film capture the human and technological dramas that unfold in the collision between science, engineering, code, and commerce.
[…] Swing music, also known as swing jazz or simply swing, is a form of jazz music that developed in the early 1930s and became a distinctive style by 1935 in the United States. Swing uses a strong rhythm section of double bass and drums as the anchor for a lead section of brass instruments such as trumpets and trombones, woodwinds including saxophones and clarinets, and sometimes stringed instruments such as violin and guitar, medium to fast tempos, and a “lilting” swing time rhythm. The name swing came from the phrase ‘swing feel’ where the emphasis is on the off-beat or weaker pulse in the music (unlike classic music). Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of bandleaders such as Benny Goodman and Count Basie was the dominant form of American popular music from 1935 to 1945. The verb “to swing” is also used as a term of praise for playing that has a strong rhythmic “groove” or drive. […] from Wikipedia (link).
nota bene – tomorrow is Jazz day, isn’t it?!
“I met Death today. We are playing chess. (…) My life has been a futile pursuit, a wandering, a great deal of talk without meaning. I feel no bitterness or self-reproach because the lives of most people [plague] are very much like this. But I will use my reprieve for one meaningful deed.”, Antonius Block.
The Seventh Seal (Det sjunde inseglet). Written and directed by Ingmar Bergman, Sweden 1957 – (…) Disillusioned knight Antonius Block and his squire Jöns return after fighting in the Crusades and find Sweden being ravaged by the plague. On the beach immediately after their arrival, Block encounters Death, personified as a pale, black-cowled figure resembling a monk. Block, in the middle of a chess game he has been playing alone, challenges Death to a chess match, believing that he can forestall his demise as long as the game continues. Death agrees, and they start a new game. The other characters in the story do not see Death, and when the chess board comes out at various times in the story, they believe Block is continuing his habit of playing alone. (…)
(…) In the confessional, the knight says “I use a combination of the bishop and the knight which he hasn’t yet discovered. In the next move I’ll shatter one of his flanks.” Death (in disguise as the priest) replies “I’ll remember that.” When they play by the beach, the knight says: “Because I revealed my tactics to you I’m in retreat. It’s your move.” Death captures his opponent’s knight. “You did the right thing“, states the knight, “you fell right in the trap. Check! Don’t worry about my laughter, save your king instead.” Death‘s response is to lean over the chess board and make a psychological move. “Are you going to escort the juggler and his wife through the forest? Those whose names are Jof and Mia and who have a small son.” “Why do you ask?” says the knight. “Oh, no reason”, replies Death“. (…) from Wikipedia [link] (Nota bene – bolds and underlines are mine).
Fig. – A Symbolical Head (phrenological chart) illustrating the natural language of the faculties. At the Society pages / Economic Sociology web page.
You have much probably noticed by now how Scoop.it is emerging as a powerful platform for those collecting interesting research papers. There are several good examples, but let me stress one entitled “Bounded Rationality and Beyond” (scoop.it web page) curated by Alessandro Cerboni (blog). On a difficult research theme, Alessandro is doing a great job collecting nice essays and wonderful articles, whenever he founds them. One of those articles I really appreciated was John Conlisk‘s “Why Bounded Rationality?“, delivering into the field several important clues, for those who (like me) work in the area. What follows, is an excerpt from the article as well as part of his introductory section. The full (PDF) paper could be retrieved here:
In this survey, four reasons are given for incorporating bounded rationality in economic models. First, there is abundant empirical evidence that it is important. Second, models of bounded rationality have proved themselves in a wide range of impressive work. Third, the standard justifications for assuming unbounded rationality are unconvincing; their logic cuts both ways. Fourth, deliberation about an economic decision is a costly activity, and good economics requires that we entertain all costs. These four reasons, or categories of reasons, are developed in the following four sections. Deliberation cost will be a recurring theme.
Why bounded rationality? In four words (one for each section above): evidence, success, methodology, and scarcity. In more words: Psychology and economics provide wide-ranging evidence that bounded rationality is important (Section I). Economists who include bounds on rationality in their models have excellent success in describing economic behavior beyond the coverage of standard theory (Section II). The traditional appeals to economic methodology cut both ways; the conditions of a particular context may favor either bounded or unbounded rationality (Section III). Models of bounded rationality adhere to a fundamental tenet of economics, respect for scarcity. Human cognition, as a scarce resource, should be treated as such (Section IV). The survey stresses throughout that an appropriate rationality assumption is not something to decide once for all contexts. In principle, we might suppose there is an encompassing single theory which takes various forms of bounded and unbounded rationality as special. cases. As with other model ingredients, however, we in practice want to work directly with the most convenient special case which does justice to the context. The evidence and models surveyed suggest that a sensible rationality assumption will vary by context, depending on such conditions as deliberation cost, complexity, incentives, experience, and market discipline. Beyond the four reasons given, there is one more reason for studying bounded rationality. It is simply a fascinating thing to do. We can mix some Puck with our Hamlet.
Sound/Video – willterminus (YouTube link) says: “I was bored so I wanted to see if I could get free dial up internet so I found that NetZero still has free service so I put in the number and heard the glorious sound of the Dial-up. Remind me of years gone. Unfortunately I was not able to make a connection“.
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