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From the author of “Rock, Paper, Scissors – Game Theory in everyday life” dedicated to evolution of cooperation in nature (published last year – Basic Books), a new book on related areas is now fresh on the stands (released Dec. 7, 2009): “The Perfect Swarm – The Science of Complexity in everyday life“. This time Len Fischer takes us into the realm of our interlinked modern lives, where complexity rules. But complexity also has rules. Understand these, and we are better placed to make sense of the mountain of data that confronts us every day. Fischer ranges far and wide to discover what tips the science of complexity has for us. Studies of human (one good example is Gum voting) and animal behaviour, management science, statistics and network theory all enter the mix.
One of the greatest discoveries of recent times is that the complex patterns we find in life are often produced when all of the individuals in a group follow similar simple rules. Even if the final pattern is complex, rules are not. This process of “Self-Organization” reveals itself in the inanimate worlds of crystals and seashells, but as Len Fisher shows, it is also evident in living organisms, from fish to ants to human beings, being Stigmergy one among many cases of this type of Self-Organized behaviour, encompassing applications in several Engineering fields like Computer science and Artificial Intelligence, Data-Mining, Pattern Recognition, Image Analysis and Perception, Robotics, Optimization, Learning, Forecasting, etc. Since I do work on these precise areas, you may find several of my previous posts dedicated to these issues, such as Self-Organized Data and Image Retrieval systems, Stigmergic Optimization, Computer-based Adaptive Dynamic Perception, Swarm-based Data Mining, Self-regulated Swarms and Memory, Ant based Data Clustering, Generative computer-based photography and painting, Classification, Extreme Dynamic Optimization, Self-Organized Pattern Recognition, among other applications.
For instance, the coordinated movements of fish in schools, arise from the simple rule: “Follow the fish in front.” Traffic flow arises from simple rules: “Keep your distance” and “Keep to the right.” Now, in his new book, Fisher shows how we can manage our complex social lives in an ever more chaotic world. His investigation encompasses topics ranging from “swarm intelligence” (check links above) to the science of parties (a beautiful example by ICOSYSTEM inc.) and the best ways to start a fad. Finally, Fisher sheds light on the beauty and utility of complexity theory. For those willing to understand a miriad of some basic examples (Fischer gaves us 33 nice food-for-thought examples in total) and to have a well writen introduction into this thrilling new branch of science, referred by Stephen Hawking as the science for the current century (“I think complexity is the science for the 21st century”), Perfect Swarm will be indeed an excelent companion.
Figure – My first Swarm Painting SP0016 (Jan. 2002). This was done attaching the following algorithm into a robotic drawing arm. In order to do it however, pheromone distribution by the overall ant colony were carefully coded into different kinds of colors and several robotic pencils (check “The MC2 Project [Machines of Collective Conscience]“, 2001, and “On the Implicit and on the Artificial“, 2002). On the same year when the computational model appeared (2000) the concept was already extended into photography (check original paper) – using the pheromone distribution as photograms (“Einstein to Map” in the original article along with works like “Kafka to Red Ants” as well as subsequent newspaper articles). Meanwhile, in 2003, I was invited to give an invited talk over these at the 1st Art & Science Symposium in Bilbao (below). Even if I was already aware of Jeffrey Ventrella outstanding work as well as Ezequiel Di Paolo, it was there where we first met physically.
[] Vitorino Ramos, Self-Organizing the Abstract: Canvas as a Swarm Habitat for Collective Memory, Perception and Cooperative Distributed Creativity, in 1st Art & Science Symposium – Models to Know Reality, J. Rekalde, R. Ibáñez and Á. Simó (Eds.), pp. 59, Facultad de Bellas Artes EHU/UPV, Universidad del País Vasco, 11-12 Dec., Bilbao, Spain, 2003.
Many animals can produce very complex intricate architectures that fulfil numerous functional and adaptive requirements (protection from predators, thermal regulation, substrate of social life and reproductive activities, etc). Among them, social insects are capable of generating amazingly complex functional patterns in space and time, although they have limited individual abilities and their behaviour exhibits some degree of randomness. Among all activities by social insects, nest building, cemetery organization and collective sorting, is undoubtedly the most spectacular, as it demonstrates the greatest difference between individual and collective levels. Trying to answer how insects in a colony coordinate their behaviour in order to build these highly complex architectures, scientists assumed a first hypothesis, anthropomorphism, i.e., individual insects were assumed to possess a representation of the global structure to be produced and to make decisions on the basis of that representation. Nest complexity would then result from the complexity of the insect’s behaviour. Insect societies, however, are organized in a way that departs radically from the anthropomorphic model in which there is a direct causal relationship between nest complexity and behavioural complexity. Recent works suggests that a social insect colony is a decentralized system composed of cooperative, autonomous units that are distributed in the environment, exhibit simple probabilistic stimulus-response behaviour, and have only access to local information. According to these studies at least two low-level mechanisms play a role in the building activities of social insects: Self-organization and discrete Stigmergy, being the latter a kind of indirect and environmental synergy. Based on past and present stigmergic models, and on the underlying scientific research on Artificial Ant Systems and Swarm Intelligence, while being systems capable of emerging a form of collective intelligence, perception and Artificial Life, done by Vitorino Ramos, and on further experiences in collaboration with the plastic artist Leonel Moura, we will show results facing the possibility of considering as “art”, as well, the resulting visual expression of these systems. Past experiences under the designation of “Swarm Paintings” conducted in 2001, not only confirmed the possibility of realizing an artificial art (thus non-human), as introduced into the process the questioning of creative migration, specifically from the computer monitors to the canvas via a robotic harm. In more recent self-organized based research we seek to develop and profound the initial ideas by using a swarm of autonomous robots (ARTsBOT project 2002-03), that “live” avoiding the purpose of being merely a simple perpetrator of order streams coming from an external computer, but instead, that actually co-evolve within the canvas space, acting (that is, laying ink) according to simple inner threshold stimulus response functions, reacting simultaneously to the chromatic stimulus present in the canvas environment done by the passage of their team-mates, as well as by the distributed feedback, affecting their future collective behaviour. In parallel, and in what respects to certain types of collective systems, we seek to confirm, in a physically embedded way, that the emergence of order (even as a concept) seems to be found at a lower level of complexity, based on simple and basic interchange of information, and on the local dynamic of parts, who, by self-organizing mechanisms tend to form an lived whole, innovative and adapting, allowing for emergent open-ended creative and distributed production.
Back in 2003 I was photographed by João Bracourt, a friend and professional photograph which among other things (web design + painting) travels around the world within big professional surf events (he is right now on it’s way to Indonesia), covering it for main surf magazines. Back then (Sept. 2003) we were enjoying ourselves with a big group late nigth at Bairro Alto, the main bar and restaurant district in Lisbon.
The t-shirt I’m wearing here is from COSI – Complexity in Social Sciences Summer School. One month earlier have been invited among other people to give a lecture in Spain about my work, there at COSI (Baeza, Andaluzia). After all these years the PPT file (Stigmergy as a possible exploratory walk up to collective life-like complexity and behaviour) is still available. As well as those from Gerard Weisbuch (Research Director of the Complex Networks and Cognitive Systems Team within the Statistical Physics Laboratory of the l’Ecole Normale Supérieure in Paris, France) and Rosaria Conte (head of the Division of Artificial Intelligence, Cognitive Modelling & Interaction at the Institute of Psychology of the Italian National Research Council), among others. Many other research materials concerning complexity and social sciences are still available at COSI’s 2003 main site.
(at Bairro Alto, Lisbon, Sept. 2003 – taken by João Bracourt)
(at Bairro Alto, Lisbon, Sept. 2003 – taken by João Bracourt)
Transition behavior of one Artificial Ant Colony in presence of a sudden change in his artificial digital image Habitat, between two different Digital Grey Images (face of Einstein and a Map). Created with an Artificial Ant Colony, that uses images as Habitats, being sensible to their gray levels [in, V. Ramos, F. Almeida, “Artificial Ant Colonies in Digital Image Habitats – a mass behavior effect study on Pattern Recognition“, ANTS’00 Conf., Brussels, Belgium, 2000].
After “Einstein face” is injected as a substrate at t=0, 100 iterations occur. At this point you could recognize the face. Then, a new substrate (a new “environmental condition”) is imposed (Map image). The colony then adapts quickly to this new situation, losing their collective memory of past contours.
In white, the higher levels of pheromone (a chemical evaporative sugar substance used by swarms on their orientation trough out the trails). It’s exactly this artificial evaporation and the computational ant collective group synergy reallocating their upgrades of pheromone at interesting places, that allows for the emergence of adaptation and “perception” of new images. Only some of the 6000 iterations processed are represented. The system does not have any type of hierarchy, and ants communicate only in indirect forms, through out the successive alteration that they found on the Habitat. If you however, inject Einstein image again as a substrate, the whole ant society will converge again to it, but much faster than the first time, due to the residual memory distributed in the environment.
As a whole, the system is constantly trying to establish a proper compromise between memory (past solutions – via pheromone reinforcement) and novel ones in order to adapt (new conditions on the habitat, through pheromone evaporation). The right compromise, ables the system to tackle two contradictory situations: keeping some memory while learning something radically new. Antagonist features such as exploration and exploitation are tackled this way.
[] Vitorino Ramos, Filipe Almeida, Artificial Ant Colonies in Digital Image Habitats – A Mass Behaviour Effect Study on Pattern Recognition, Proceedings of ANTS´2000 – 2nd International Workshop on Ant Algorithms (From Ant Colonies to Artificial Ants), Marco Dorigo, Martin Middendorf & Thomas Stüzle (Eds.), pp. 113-116, Brussels, Belgium, 7-9 Sep. 2000.
Figure - Transition behaviour of one Artificial Ant Colony in presence of a sudden change in his artificial digital image Habitat, between two different Digital Grey Images. Created with an Artificial Ant Colony, that uses images as Habitats, being sensible to their gray levels. At the second row, "Kafka" image is replaced as a substrate, by "Red Ant". In black, the higher levels of pheromone (a chemical evaporative sugar substance used by swarms on their orientation trought out the trails). It’s exactly this artificial evaporation and the computational ant collective group sinergy realocating their upgrades of pheromone at interesting places, that allows for the emergence of adaptation and "perception" of new images. Only some of the 6000 iterations processed are represented. The system does not have any type of hierarchy, and ants communicate only in indirect forms, through out the sucessive alteration that they found on the Habitat.
Some recent studies have pointed that, the self-organization of neurons into brain-like structures, and the self-organization of ants into a swarm are similar in many respects. If possible to implement, these features could lead to important developments in pattern recognition systems, where perceptive capabilities can emerge and evolve from the interaction of many simple local rules. The principle of the method is inspired by the work of Chialvo and Millonas who developed the first numerical simulation in which swarm cognitive map formation could be explained. From this point, an extended model is presented in order to deal with digital image habitats, in which artificial ants could be able to react to the environment and perceive it. Evolution of pheromone fields point that artificial ant colonies could react and adapt appropriately to any type of digital habitat.
(to obtain the respective PDF file follow link above or visit chemoton.org)
Chemoton § Vitorino Ramos' research notebook 
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