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Video lecture – In this new RSA Animate, Manuel Lima, senior UX design lead at Microsoft Bing, explores the power of network visualisation to help navigate our complex modern world. Taken from a lecture given by Manuel Lima as part of the RSA’s free public events programme.

Network visualization has experienced a meteoric rise in the last decade, bringing together people from various fields and capturing the interest of individuals across the globe. As the practice continues to shed light on an incredible array of complex issues, it keeps drawing attention back onto itself. Manuel Lima is a Senior UX Design Lead at Microsoft Bing and founder of, and was nominated as ‘one of the 50 most creative and influential minds of 2009’ by Creativity Magazine. He visits the RSA to explore a critical paradigm shift in various areas of knowledge, as we stop relying on hierarchical tree structures and turn instead to networks in order to properly map the inherent complexities of our modern world. The talk will showcase a variety of captivating examples of visualization and also introduce the network topology as a new cultural meme. (from RSA, lecture link).


Figure (clik to enlarge) – Applying P(0)=0.6; r=4; N=100000; for(n=0;n<=N;n++) { P(n+1)=r*P(n)*(1-P(n)); } Robert May Population Dynamics equation [1974-76] (do check on Logistic maps) for several iterations (generations). After 780 iterations, P is attracted to 1 (max. population), and then suddenly, for the next generations the very same population is almost extinguish.

Not only in research, but also in the everyday world of politics and economics, we would all be better off if more people realised that simple non-linear systems do not necessarily possess simple dynamical properties.” ~ Robert M. May, “Simple Mathematical models with very complicated Dynamics”, Nature, Vol. 261, p.459, June 10, 1976.

(…) The fact that the simple and deterministic equation (1) can possess dynamical trajectories which look like some sort of random noise has disturbing practical implications. It means, for example, that apparently erratic fluctuations in the census data for an animal population need not necessarily betoken either the vagaries of an unpredictable environment or sampling errors: they may simply derive from a rigidly deterministic population growth relationship such as equation (1). This point is discussed more fully and carefully elsewhere [1]. Alternatively, it may be observed that in the chaotic regime arbitrarily close initial conditions can lead to trajectories which, after a sufficiently long time, diverge widely. This means that, even if we have a simple model in which all the parameters are determined exactly, long term prediction is nevertheless impossible. In a meteorological context, Lorenz [15] has called this general phenomenon the “butterfly effect“: even if the atmosphere could be described by a deterministic model in which all parameters were known, the fluttering of a butterfly’s wings could alter the initial conditions, and thus (in the chaotic regime) alter the long term prediction. Fluid turbulence provides a classic example where, as a parameter (the Reynolds number) is tuned in a set of deterministic equations (the Navier-Stokes equations), the motion can undergo an abrupt transition from some stable configuration (for example, laminar flow) into an apparently stochastic, chaotic regime. Various models, based on the Navier-Stokes differential equations, have been proposed as mathematical metaphors for this process [15,40,41] . In a recent review of the theory of turbulence, Martin [42] has observed that the one-dimensional difference equation (1) may be useful in this context. Compared with the earlier models [15,40,41] it has the disadvantage of being even more abstractly metaphorical, and the advantage of having a spectrum of dynamical behaviour which is more richly complicated yet more amenable to analytical investigation. A more down-to-earth application is possible in the use of equation (1) to fit data [1,2,3,38,39,43] on biological populations with discrete, non-overlapping generations, as is the case for many temperate zone arthropods. (…) in pp. 13-14, Robert M. May, “Simple Mathematical models with very complicated Dynamics“, Nature, Vol. 261, p.459, June 10, 1976 [PDF link].


Coders are now habitat providers for the rest of the world.” ~ Vitorino Ramos, via Twitter, July, 17, 2012 (link).

Video lecture – Casey Reas ( at Eyeo2012 (uploaded 2 days ago on Vimeo): From a visual and conceptual point of view, the tension between order and chaos is a fertile space to explore. For over one hundred years, visual artists have focused on both in isolation and in tandem. As artists started to use software in the 1960s, the nature of this exploration expanded. This presentation features a series of revealing examples, historical research into the topic as developed for Reas‘ upcoming co-authored book “10 PRINT CHR$(205.5+RND(1)); : GOTO 10″ (MIT Press, 2012, book link; cover above), and a selection of Casey‘s artwork that relies on the relationship between chance operations and strict rules.

Video Documentary – Code Rush (, produced in 2000 and broadcast on PBS, is an inside look at living and working in Silicon Valley at the height of the dot-com era. The film follows a group of Netscape engineers as they pursue at that time a revolutionary venture to save their company – giving away the software recipe for Netscape’s browser in exchange for integrating improvements created by outside software developers.

” (…) code (…) Why is it important for the world? Because it’s the blood of the organism that is our culture, now. It’s what makes everything go.“, Jamie Zawinski, Code Rush, 2000.

The year is early 1998, at the height of dot-com era, and a small team of Netscape code writers frantically works to reconstruct the company’s Internet browser. In doing so they will rewrite the rules of software development by giving away the recipe for its browser in exchange for integrating improvements created by outside unpaid developers.  The fate of the entire company may well rest on their shoulders. Broadcast on PBS, the film capture the human and technological dramas that unfold in the collision between science, engineering, code, and commerce.

Video – Lynn Hoffman (social worker, link) talks about a shift that has been taking place in our world, a shift that simmered in the background for many years and has recently erupted onto the world stage. This shift is akin to a revolution, and often gives a renewed impetus to contemporary revolutionary movements. The shift is related to what Lynn sees as a move from the system metaphor, with its emphasis on symmetry, order and a return to the same, to the rhizome with its more messy and horizontal plane of endless relations.

Gregory Bateson and the Rhizome Century” is an interdisciplinary event inspired by the vision of family therapy pioneer, Lynn Hoffman. The conference is for anyone who: Appreciates the pressing significance of honoring the complexities of our interrelations with one another, with nature, and also with our technologies; Understands that a primary responsibility for our generation is to move beyond the individualism’s and negations so prominent in Western thought, towards a work that generates sustaining and sustainable webs of relationship. [, Vancouver, Canada, Oct. 2012].

Video – Animaris Gubernare (AG), is one of the most recent Theo Jansen’s Strandbeest‘s ( machine animals. Born in October 2010, AG died out in October 2011. It had two external (rolling) wind stomachs which serve as an anchor against strong winds.

Since 1990, only by using plastic tubes, lemonade bottles and air pistons as logic gates, powered by wind, Theo Jansen has produced some quite incredible machine animals. His creatures are designed to move – and even survive – on their own. In some cases he have recurred to Evolutionary Computation (more) as a mean to optimize their shape in order to longer survive hard storms and salt water. He briefly explains:

“(…) Since 1990 I have been occupied creating new forms of life. Not pollen or seeds but plastic yellow tubes are used as the basic material of this new nature. I make skeletons that are able to walk on the wind, so they don’t have to eat. Over time, these skeletons have become increasingly better at surviving the elements such as storm and water and eventually I want to put these animals out in herds on the beaches, so they will live their own lives (…)”, Theo Jansen, in Strandbeest (

But he goes a step further. Not he only develop sensors (for water sensing) as well as a full Brain, a binary step counter made of plastic tubes, which could change his pattern of zeroes, overtime, and adapts. Have a look (minute 6, second 33) … :

Video – Jansen‘s Lecture at TED talks, March 2007 (Monterey, California). Theo Jansen creates kinetic sculptures that walk using wind power (featured in a few previous short sifts), here he explains how he makes them work. Incredibly, he has devised a way to optimize the shape of the machine’s parts and gait using a genetic algorithm running on a PC and has actually made logic gates out of the air pistons making up the machines. His work attests to a truly jaw-dropping intelligence.

[...] People should learn how to play Lego with their minds. Concepts are building bricks [...] V. Ramos, 2002.

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